Saturday, February 14, 2009

Love is Colorless / 愛無色です

MEIJI RESTORATION

The unspoken tolerance of homosexuality was the key concept of 20th-century Japan. However, at the time of the Meiji Restoration, Japan experienced more vocal criticisms of homosexual behaviour. After the opening of Japanese ports in 1854 under Commodore Perry, influences from Western morality began to take root, bolstered by the disapproval of Christian missionaries. The Japanese elite experienced a desire to "absorb Western learning in order to obtain the respect of Western nations" (Leupp, 202). Since homosexuality was considered 'abnormal' or 'shameful', the homophobia of the West infiltrated Japanese society, and same-sex relationships came to be viewed as uncivilised, or evidence of a lack of learning. There were calls in the late 19th century for the criminalisation of homosexuality, and for a period of about ten years (1873-83), consensual sex between men was punishable by imprisonment ("Queer"). There is evidence, however, of "same-sex fever" (男色熱) in the Meiji Period, particularly in schools. (Tanaka et al) With standardised education an integral part of the Meiji government's "Westernisation" process, close relationships between seniors and juniors at schools began to develop. This factor would impact the strong "homosocial" bonds that continue to this day.

Another factor that may have contributed to the decline in the acceptance of male-male sexual relationships was the collapse of the feudal system. Throughout the Tokugawa period, relationships were often defined in terms of status: older/younger brother; lord/vassal; samurai/"beloved retainer" (Leupp, 42). These bonds carried over into the modern period, in a somewhat diluted form, in the "homosocial" relationships outlined by Doi. (Jnanavira). Under the Tokugawa shogunate, the unity in Japan brought about a more peaceful society, and the bourgeoisie began to advance, and adopt practices of the samurai class. One aspect of this was a growing general acceptance of "male love", a concept hitherto limited to the upper strata of society. (Androphile)

Gary Leupp, in his study of Tokugawa Japan, describes the 'trickle-down' effect within Japanese society:

Aware of monastic and samurai traditions, men of common status in the Tokugawa period would naturally have regarded homosexual desire as normal and male-male sex as a permissible and attractive activity. (57)

Despite this fact, same-sex relationships in the Tokugawa period were often on par with, and existed alongside of, heterosexual relationships. With the growth of cities, often disproportionately populated by men, same-sex relationships were a viable option or a welcome alternative to heterosexual sex.

TOKUGAWA JAPAN

The growth of the bourgeoisie in large urban centres during the relatively stable Tokugawa period gave rise to a hitherto relatively unknown element: dansho (男娼) or male prostitution. Although never legalised--female prostitution was licensed in the mid-16th century--(Leupp, 65), male brothels and 'teahouses' flourished in Tokugawa cities, particularly in Kyoto, where young boys were said to be the most beautiful. For the first time in Japanese history, same-sex relationships took on strong elements of "sex for the sake of sex", as traditional bonds of loyalty took on a less important role:

For the merchants and artisans of Tokugawa cities, male-male sex became largely a commercial transaction devoid of the commitments required by earlier traditions of male homosexuality. (Leupp, 59)

This commercialisation of sex would have an impact on the negative views of homosexuality during the Meiji Period.

Development in the arts had influences on homosexual relationships, particularly in the Kabuki theatre. "Women's kabuki" was banned by the Tokugawa government and replaced by 'young men's kabuki" (若衆歌舞伎 - wakashu kabuki). Consequently, cross-dressing young boys or onna-gata (女形) portrayed female roles on the kabuki stage. According to Leupp "the homosexual appeal of the kabuki actor was...a brash, provocative sensuality that drove male (and female) spectators wild with desire." (130) Frequently, kabuki actors entered into loosely contractual arrangements with theatre-going townsmen, developing a patron-client type of relationship. Kabuki theatres and male brothels were often located in the same area of town, drawing a link between these two worlds. As the popularity of these actors spread, so did the ideas of androgyny and "gender ambiguity" (Leupp, 176-7), a factor that continues to affect Japanese perceptions of homosexuality as a sort of 'gender-bending'.

Many of the Tokugawa shogun had ongoing same-sex relationships with young boys in the courts. Tokugawa Tsunayoshi (ruled 1680-1709) is said to have been a nanshoku-zuki (男色好き)--interested almost exclusively in males, rather than females--and had sexual relationships "with more than one hundred handsome boys" (Leupp, 136). The tradition of samurai 'male-bonding' had developed during the Kamakura and Muromachi periods, and lasted through the years of the Warring States.

SAMURAI TRADITION

A well-known example of samurai 'bonding' is Oda Nobunaga, one of Japan's most revered and powerful daimyo. He was killed in an ambush in 1582, along with his teenaged lover, Mori Panmaru. ("Queer") This is but one example in a long history of same-sex relationships between daimyo and their "beloved retainers". (Leupp, 42)

The love of the shogun has been referred to as "martial homosexuality" (Leupp, 27), developing out of relationships of fealty between warriors and their younger page-boys. Often, these lord-vassal relationships were valued above those between men and women, since dandoshi (男同士) or 'male bonding' extended to the loyalty of the sword-bearer, who would fight--and even die--for his lord. During this period, the Chinese characters (ai - love) and (chu - loyalty/fealty) were nearly interchangeable. (Tanaka et al) In exchange for loyalty, the younger partners received education and military training.

There is some evidence that the younger partner in these relationships assumed a 'feminine appearance'--a possible precursor to the androgyny of the later Tokugawa period. Furthermore, the importance of same-sex relationships may have flourished, in part, due to the lack of female influence in the battlefield. Nevertheless, many of the lord-vassal relationships among the samurai were highly valued, and exhibited strong commitments and bonds between the men. Furthermore, they built on a long history of same-sex traditions that existed in monastic communities.

MONASTIC LOVE

"By the time of increased samurai ascendancy from the thirteenth century, there was already a well-established homoerotic tradition in Japanese monasteries in which boys, not women, were constructed as fitting objects for adult male desire, a tradition which was well suited to the masculine ideals of an increasingly militaristic society."(Jnanavira)

Even before its adoption by the samurai, male-male love was a common practice in the Buddhist monasteries. Sexual relationships between a monk and his acolyte were widespread. These acolytes or 'boy-lovers' were also known as chigo (稚児), and a collection of stories known as chigo monogatari ("acolyte stories") details many of these relationships. "Though the Buddhist code of discipline prohibited monks from any sexual activity, many monks felt that this did not apply to same-sex relationships. This inspired art and literature centered on the young male ideal and the love which sprang between monks and youths." ("Homosexuality in Japan")

Although chastity among monks is one of the precepts of Buddhism, in Heian era Japan this came to be understood as sex with women. Sex between monks and their acolytes came to be viewed as the 'beautiful way' (美道 - bido), and the idea developed that homosexuality was "a reasonable and forgivable compromise between heterosexual involvements and complete sexual abstinence" (Leupp 35). Because Japanese Buddhism often focused on the intentions or outcomes of acts, rather than the acts themselves, same-sex involvements could be identified as a way of communicating with the Buddha, and of creating deeper spiritual bonds. (Jnanavira)

The prevalence of monk-acolyte relationships in monastic communities, particularly in the Buddhist centres of Mt. Koya and Mt. Hiei, is said to have originated with the monk Kukai (空海: 774-835), also known as Kobo Daishi, who brought back Buddhist teachings from his travels in China to found the Shingon sect. Folk tales accrediting Kukai with the beginnings of shudo (衆道) or 'The Way of the Young' did not emerge until the 11th century, but Kukai's insistence on celibacy makes such assumptions questionable. However, the fact that China itself had a long history of revered same-sex relationships suggests that such beliefs may have been imported from the mainland. At the same time, as Buddhism blended with the existing Japanese indigenous beliefs, so did the acceptance of homosexuality. ("Kukai")

ANCIENT BELIEFS and SHINTO

The indigenous religion of Japan, Shinto (神道 - the Way of the Gods), has a very 'sex-positive ideology', with a strong focus on procreation and nature. (Jnanavira) Without established doctrine or a canon of religious texts, Shinto is an adaptable religion, which blends easily with new beliefs, such as Buddhism, and traditions. Cult-like phallus worship was a major element of ancient Shinto, yet another example of the openness toward sex and sexuality. Because there is little documentation of early Shintoism, it is impossible to identify positive or negative views toward homosexuality. It may be argued that, since Shinto's focus is on fertility, procreation and family/community, homosexuality might have been viewed as non-productive and, therefore, unwelcome. However, there are no evident proscriptions against same-sex relationships; even in the most conservative branches of modern Shinto, homosexuality is not viewed as a 'sin', but more as a potential threat to tradition. On the other hand, the 1999 'marriage' of two gay men at a Shinto shrine ("Homosexuality and Shinto") suggests that even such conservative views may be on the wane.

CONCLUSION

Current attitudes toward homosexuality in Japan are largely stereotypical, but hold none of the hostility or homophobia encountered in many countries and cultures. Based on personal experience, feelings among Japanese about homosexuality range from mild disinterest to mild curiosity. Young women, in particular, are apt to enjoy the company of gay male friends, accepting homosexuality without particular questions about morality or abnormality. Male-male bonds, while not necessarily erotic, are common in schools and in the workplace; 'skinship' is a common phrase among school-aged boys, referring to the physical touch with close friends, an essential element of these relationships.

Monastic, samurai and bourgeois traditions, all of which had a strong homoerotic element, "never produced a strong current of hostility to male-male sex." (Leupp, 94) Consequently, Japanese religious and social culture has no innate rhetoric opposing same-sex relationships. Even recent negativism toward homosexuality is more a reaction to outside forces; attitudes shifted to suit the ideals of encroaching Western culture, in an effort to appear more refined, or simply more 'modern'. Even arguments against homosexuality--that, for example, gay relationships do not produce offspring--tend to be much more practical than moral.

One further consideration is the Japanese notion that 'gay' is nothing but a behaviour, a pastime engaged in outside the strictures of everyday life. In addition, because there is little active discrimination against gays, there seems to be less inclination to fight for gay rights. (McClelland, 30) However, social rights groups such as Occur continue to rally for the cause of the gay community.

While media-inspired misconceptions continue to dominate Japan, political awareness has grown and steps toward greater openness and equality for gay men and lesbians are being made. Even the 'unnaturalness' of homosexuality, previously cited by Shinto conservatives, is being dismissed by scientific evidence to the contrary. Throughout history, Japan has shown itself to be an adaptable nation, willing to make changes for the sake of progress. Perhaps, then, it is only a matter of time before Japan recognises, accepts and--as in the past--embraces the notion of homosexuality.

Bigtime Sensuality / ビッグ官能

I can sense it
Something important
Is about to happen
It's coming up.

It takes courage to enjoy it
The hardcore and the gentle
Big time sensuality.

We just met
And I know I'm a bit too intimate
But something huge is coming up
And we're both included.

It takes courage to enjoy it
The hardcore and the gentle
Big time sensuality.

I don't know my future after this weekend
And I don't want to.

It takes courage to enjoy it
The hardcore and the gentle
Big time sensuality
Sensuality


私が意味することができます
何か重要な
約起こるのです
それが間近に迫っている。

それを楽しむのは勇気が
ハードコアとは、穏やかな
ビッグタイム官能。

我々に会った
と親密なんだ、私は少しも知っている
しかし、巨大な何かが近づいている
そして、両方含まれている。

それを楽しむのは勇気が
ハードコアとは、穏やかな
ビッグタイム官能。

私はこの週末の後に私の将来を知らない
と私はしたくない。

それを楽しむのは勇気が
ハードコアとは、穏やかな
ビッグタイム官能
官能

Thursday, February 12, 2009

Dragon of Izumo

Serpent of Koshi / Yamata-no-Orochi / Susa-no-wo / Dragon of Izumo / Susan-o-no-o-no Mikoto 
Return to the Japan Page

Region: Japan
Time Period: 712 AD and before
References in Literature: Kojiki ("Record of Ancient Things") 
Sources: Dragons and Dragon LoreNature of Spirit, Spirit of NaturePythonDenCityWaterDragon/famous.html,IllianaChina and Japan, pg 345, Giants, Monsters, and Dragons, pg 106, An Instinct for Dragons

Yamata-no-oroshi was an eight-headed dragon with eight tails, that stretched over eight valleys and eight hills. Some sources say that "eight" means many, so it may have had even more heads

  • Eyes of red
  • Trees and brush grew on its back
  • Had a soft spot for eating virgins
  • Story comparable to the Babylonian Tiamat myth where Susa-no-wo = Marduk and the Dragon of Koshi = Tiamat of the Babylonian creation epic.
  • Some sources claim it to have only 7 heads

A good version of this tale is told at Realm of Imagination and by Nukapai.

In One Version:
But when it came time to devour a particular maiden, a warrior happened along to champion it by building a circular wooden enclosure with eight gates and a platform at each gate. On each of these platforms, the warrier placed a barrel of pears, and when the serpent came to drink, he fell asleep in the trap and the warrior cut off all his heads.

In Another Version:
The Hero Susano was traveling through Izumo province in Japan when he came across a weeping couple. They said that their daughter, Kushinada, was to be sacrificed to the dragon with eight heads that filled the whole valley. Susano, of course, offered to rescue her if she agreed to marry him. She did, and he killed the dragon, cutting off his many heads.

In a Third Version:
The couple that Susano comes across had already sacrificed seven other daughters to the fearsome dragon, and their last, the beautiful Kushinada, was next. 
In order to trick the dragon, Susano had the couple prepare eight sake jars which he put on eight platforms surrounded by a fence. By this means, the dragon became drunk and Susano chopped of his heads and seven of his tails. 
Much to his surprise, though, inside the seventh tail was the sword Kusanagi which he presented to his sister Amaterasu and which is now a National Treaure.

After the dragon is slain, the River Hi is "changed into a river of blood".

In the Fourth Version:
The dragon is called the Dragon of Izumo and Susanowo is given a first name: Takehaya. The main difference in this is that the sword that he pulls from the dragon's tail, Kusanagi-no-tsunegi (The Grass-cutting Sword) was given to Ama Terasa who, in turn, gave it to her descendent, the First Emperor.

Other variations include one where the hero turns the girl into a comb and puts her/it in his hair.

Personal Comment: 

"If Nations won't cooperate with the "穏やかなドラゴン" will laugh in anguish." Hahaha.... Save the Planet Stop Using Plastic!